SO LONG AND THANKS FOR ALL THE PROMPTS

It’s the closing day of Muri’s Poetry Month Challenge, and I’m down to the final prompt:  10. Write a Blitz poem

I saved this one for last because it’s my favorite.  Blitzing is quick and easy, with a minimum of rules.  In 2017, I led a poetry seminar at the public library.  I chose this as our class exercise because a Blitz can be completed handily in ten minutes, and it’s a stream of consciousness technique where writers spontaneously reveal a lot about themselves.
I insisted that the participants not erase, but simply go with whatever came to mind.  Reading their poem aloud was optional, but most did.  It’s a getting-to-know-you exercise far superior to the kind where you tell your name, where you’re from, and your occupation.  For the Blitz below, I began with the word spring. You don’t get to choose the title;
it is derived from specific words in the poem:  (the first word of Line 3) (preposition or conjunction) (the first word of line 47).  In this case, it was a very apt sign-off at the end of a super challenge.  Thanks, Muri!

TIME FOR GOOD-BYE

Spring has sprung
Springtime
Time to get up
Timepiece
Piece of cake
Piecemeal
Mealtime
Meal ticket
Ticket taker
Ticket to ride
Ride operator
Ride it out
Outside
Out of the loop
Loophole
Loop around
Around back
Around the bend
Bend me, shape me, any way you want me
Bendable
Able-bodied
Able to reach
Reach out
Reach for the stars
Stars in the sky
Stars in Hollywood
Hollywood couples
Hollywood Squares
Square meal
Square deal
Deal with it
Deal on the table
Table tennis
Tabletop
Top Dog
Top Gun
Gunmetal
Gunpoint
Point a finger
Point taken
Taken away
Taken for a ride
Ride into the sunset
Ride a wave
Wave crashing
Wave good-bye
Good-bye for now
Good-bye forever
Forever
Now

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WHAT’S THAT NOISE?

This poem combines just two of Muri’s prompts; it’s the best I can do considering what’s left.

2.  Write a poem about the changing seasons
7.  Write a Quatern

The following piece hums happily along as winter turns to spring.  It is
a “non-traditional” quatern—a few of the syllables are missing and the line that moves through the stanzas is close but not identical.  I have added internal rhymes just for fun.  What can I say?  Creativity doesn’t always stay within the lines.

APRIL ALL ABUZZ

Humming, humming, earth is humming
Soft vibrations wake creation
Dormant grass shoots up en masse
Greening blades in countless shades

Keen homeowners start their motors
Humming, humming, engines humming
Mowers growling, tillers plowing
Jostling beds of sleepyheads

Bulbs awaken, breaking open
From each womb, a brilliant bloom
Humming, humming, flowers humming
Pistils, stamens, sweet libations

Bold prospectors seeking nectar
smell perfume and zoom, zoom, zoom
from their hives in overdrive
Humming, humming, life is humming

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THREE FOR THREE, 4 PROMPTS LEFT

On her blog, A Different Perspective, my friend Murisopsis issued a challenge for National Poetry Month:  using the supplied prompts, in any order, write thirteen poems in 30 days, one poem each Monday, Wednesday and Friday in April.  The first week, I nailed three prompts with one poem; the second week, ditto.  Could I pull off this amazing feat a third time?  See for yourself!

4.  Write a concrete (shape) poem
5.  Write a poem about signs of spring
8.  Write four Haiku about favorite foods

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ANOTHER TRIPLE HEADER, MURI!

On her blog, A Different Perspective, my buddy Murisopsis laid down
a challenge for National Poetry Month: using the supplied prompts, in any order, write thirteen poems in 30 days (one poem each Monday, Wednesday, and Friday through the month of April).  The first week, I managed to nail three prompts with one poem.  It was so much fun, I decided to choose three more and try it again.

1.  Write a limerick
6.  Write a poem about dogs
9.  Write an acrostic poem using an emotion

Without further ado, here is my blissful acrostic limerick about dogs:

WALKING THE DOGS

Bold-nosed explorers are they
Lollygaggers at the odor buffet
In the grass, on a tree
Smelly poop, pungent pee
So strong I can’t pull them away

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THREE BIRDS WITH ONE POEM

On her blog, A Different Perspective, my friend Murisopsis laid down a challenge for National Poetry Month.  Hers is easier than some I’ve seen as it requires the completion of only three prompts per week, which are announced at the beginning and can be completed in any order.

MURI’S NATIONAL POETRY MONTH WRITING CHALLENGE

1. Write a limerick.
2. Write a poem about the changing seasons
3. Write a poem about angels (any kind).
4. Write a concrete (shape) poem.
5. Write a poem about signs of spring.
6. Write a poem about dogs.
7. Write a Quatern.
8. Write 4 haiku about favorite foods.
9. Write an acrostic poem using an emotion.
10. Write a Blitz poem.
11. Channel your inner Doctor (Seuss, Who, Frankenstein, Doolittle, Zhivago, McCoy… your choice)
12. Write a list poem about clothes
13. Write a poem using all of the following words: crow, sparrow, snow, chapeau, below, ginkgo, shallow, and solo.

The rules are simple.  Write 13 poems in 30 days (that comes out to one poem each Monday, Wednesday, and Friday throughout the month of April).  You may complete the prompts in any order.  Once written, post your poem on your blog and LEAVE MURI A COMMENT to let her know you have done so.  The point of the exercise is to have fun and stretch your poetic muscles.

OK, Muri, I figured I would start with the most difficult prompt, which I determined to be #13.  After I finished the poem, I realized it also fulfilled the criteria for #3 and #11.  So it may be a bit of a cheat, but here is my poem for Monday, Wednesday, and Friday of Week One:

BIRD FEEDER

The spinster next door
a disheveled old crow
pulls on her wool cap
the season’s chapeau

fills her pockets, dons
galoshes, sets off solo
trudging ‘n crunching
over late winter snow

Her size 9 footprints,
cocksure but shallow,
stop short at a bench
by a knobbled ginkgo

Birdseed is scattered
on the ground below,
one angel’s provision
for hungry sparrows

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ONE LOVE POEM, MANY FORMS

In honor of Valentine’s Day, my poetry group did a writing exercise wherein each person contributed a phrase about the source of love.
A few days after the meeting, our fearless leader Steve arranged
the phrases (verbatim) into a poem which he sent to us via email:

They say that love is never lost, so why can’t I find it?
Love comes from love
Innate, hard-wired unless over-written by Fortune or Fate
a cookie pan
Love–divine–like birds, always there, even in winter
When in the midst of pouring rain, a smile warms the day

He challenged us to re-work it if we wished.  Woo-hoo!  A batch of free verse phrases crying out for structure, a form…  This sounds like a job for JustJoan!  But what form would I use?  Which one would do justice to this wide variety of ideas and images?  Naturally occurring rhymes were scarce, so I began with syllabic forms: eintou, cinquain, haiku, and diminished hexaverse.  I figured I’d hit on the right one sooner or later.
I got lucky on my first try, but kept on going.  Perhaps one of the other forms would work better.  What I found, to my surprise, is that they all worked.  Emboldened, I decided to try a couple forms with rhyme and refrain:  lai and rondelet.  With a few synonyms and a touch of creative license, these also worked.  I added an acrostic for good measure.  You guessed it, it worked.  I’d always believed that words suggested their own poetic form, but maybe verse in search of an outlet finds one in whatever form it is offered.  Without further ado, poems about love:

Eintou Septet
7 lines
Syllables 2 / 4 / 6 / 8 / 6 / 4 / 2

LOVE IS
constant
like winter birds
warm smiles on rainy days
divine, innate, subject to Fate
never lost, hard to find
on cookie pans
from love

 

Cinquain
5 lines,
Syllables 2 / 4 / 6 / 8 / 2

LOVE
Warm smiles
Birds in winter
Never lost, hard to find
Divine, Innate, on cookie pans
From Love

 

Haiku
3 lines
Syllables 5 / 7 / 5

HAIKU
Love is never lost
Found in smiles, birds, gods, the self
and on cookie pans

 

Diminished Hexaverse
5 stanzas, first stanza has 5 lines, each 5 syllables, second has 4 lines, each 4 syllables, third has 3 lines, each 3 syllables, fourth has 2 lines, each 2 syllables, fifth has 1 line, 1 syllable

LOVE

Around and within
Like birds, always there
even in winter
A smile that warms us
on a rainy day

Innate, and yet
subject to Fate
The divine yield
of cookie pans

Never lost
but sometimes
hard to find

Love is
born of

Love

 

Lai
9 lines with rhyme scheme a / a / b / a / a / b / a / a / b.
a lines have 5 syllables, b lines have 2 syllables

LOVE IS
The Divine revealed
Within us concealed
Innate
A cookie pan’s yield
A pouring-rain-shield
Smile-shaped
A Lost-Found ordeal
A spin of the wheel
of Fate

 

Rondelet
7 lines with rhyme/refrain scheme A / b / A / a / b / b / A.
Refrain (A) is 4 syllables, all other lines are 8 syllables, all lines written in dimeter

SOURCE OF LOVE
Love comes from love
and warming smiles on rainy days
Love comes from love
and cookie pans, and God above
Within us all, subject to Fate
It’s never lost but just misplaced
Love comes from love

 

Acrostic
The first letters of each line spell something related to the poem

LOVE
They say that love is never lost so
How come I can’t find it?
Even in winter it is there, like birds
Smiles that warm us in the midst
Of pouring rain. Divine. Innate.
Unless overwritten by Fortune or Fate
Really, it is borne on cookie pans
Chocolate Chip Love, Oatmeal Love
Ephemeral and yet, everlasting

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IN A MIDWEST MINUTE

Ready for a new and intriguing form?

The EINTOU SEPTET is an African-American poetry form with seven lines adhering to the following syllable count:  2 / 4 / 6 / 8 / 6 / 4 / 2.

One recent afternoon, it began to rain.  The air, chilled by a brisk north wind, dropped from just above freezing to just below in less than sixty seconds as the plummeting droplets shimmied in the chaotic current.  The result?

PRESTI-DIGI-PRECIPITATION

With the
deftness of a
magician, the wind waves
a sheet of sparkling sleet over
the rain; when he whisks it
away, ta-daaaa!
Snowflakes!

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BEAUTY AND THE ARCTIC BEAST

As the Polar Vortex blew through the northern US and Canada, it did lots of ugly things.  Furnaces struggled, unable to keep pace with the chill. Car batteries gave up the ghost. Intrepid outdoorsmen got frost-bite and ass bruises.  But it also delivered the season’s fluffiest snow, air-brushing it into nooks and crannies in impressive drifts, swirls, and arcs.  One screen on our bay window, raised in autumn and forgotten, was hovering at half-mast when the storm hit.

The poem is a VERS BEAUCOUP; click on link for the rules of the form.

POLAR VORTEX SAND ART

By Winter’s hand, sparkling bands of flurries land
in a grand curve between the window and screen,
surreal scene, framed but fleeting, fast-retreating
snow tears greeting the low-slung rays of midday

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RUNNING ON EMPTY

Did you ever have one of those days when everything runs out at the same time?  It starts small, say, squeezing the final splurt of shampoo from the upside-down bottle.  (The conditioner will be fine; Universal Law dictates that the conditioner will never run out on the same day
as the shampoo.)  You lather up using a sliver of soap.  Grab the last Q-tip.  Force the final unwilling blob of toothpaste from the anorexic tube.  The depressurized remains of the styling mousse comes out in
a puddle instead of a lump.  You whisk the last kleenex from the box, dump the crummy, bottom-of-the-barrel kibbles into the dog’s dish, and resort to scraping the mayo jar with a spatula.  The spotty brown banana you were saving for lunch has gone missing.  The kitchen light bulb blows out.  You pour your coffee directly into the cream carton and swish it around to get the last little bit.  Your prescription needs
to be refilled.  You have two bills to mail and only one stamp.  As you update your to-do list, your pen runs out of ink…

I’ve condensed this phenomenon into a LIRA.  As you may recall, a Lira is a five-line poem with syllabic rules (7-11-7-7-11) as well as a scheme of rhyme and refrain (a-B-a-b-B).

WHAT’S IT GONNA BE?

Empty toilet paper core
A running-out day is what it’s gonna be
No clean socks in my top drawer
Two-crust sandwich, car on “E”
A running-out day is what it’s gonna be

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CONFESSIONS OF A MAGPIE

One of my New Year’s resolutions was to declutter my garage and my closets.  Having squirreled it away piece by piece, I was stunned by the sheer volume of stuff I had crammed onto shelves and into cupboards, drawers, cardboard boxes, and plastic totes “in case I might need it.”  There were parts from things I don’t own anymore and others I could not even identify.  Warranty paperwork from three lawnmowers ago.  Parallel printer cords, presumably from a dot matrix printer we had in the 90’s.  Most impressive was my collection of “Other-Ware,” lidded plastic food containers I feel compelled to reuse because they can’t be recycled.  I assume I inherited my magpie tendencies from my grand-mother, who saved and repurposed everything.  Margarine tubs held leftovers.  Paper bags became book covers.  Family-sized boxes from Post Toasties lined the bathroom trash can.  When she passed on, the closets in her upstairs bedrooms were stuffed to the gills with fabric.
I recognized a remnant that had been around for decades.  My mom probably had a dress made out of it, one that got handed down to all five of her sisters before it ended up in a rag rug.  When I was a child, Grandma used a scrap of that same fabric to sew a dress for my doll.
It popped up again in the quilt I received for graduation and I’d bet it plays a supporting role in some of my cousins’ quilts, too.

I took a deep breath.  I chucked glass and paper and cardboard into my recycling bin.  I filled two 35-gallon trash bags with Styrofoam and #4 and #5 plastics.  In the end, I couldn’t resist snatching back a few of the discards.  C’mon… you never know when you might need an ice cream bucket or a manila envelope or some packing peanuts…


The following “list” poem is also a KYRIELLE.  Click HERE for the rules on how to write one.

NATURE OR NURTURE?

My storage spaces overflow
with salvaged things I can’t let go
Be it malady or frugality,
my grandma’s spirit lives in me

Empty shoeboxes, tin pie pans,
mayonnaise jars and coffee cans,
tubs from yogurt and cottage cheese
My grandma’s spirit lives in me

Brittle thread and fabric scraps,
reams of paper grocery sacks,
plastic spoons from the Dairy Queen
My grandma’s spirit lives in me

I’ll brave recession or depression
horsemen, trumpets, Armageddon
armed with bread bags and ingenuity
My grandma’s spirit lives in me

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